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Bici filie sue et uxoris d. Simonis del Bardis reliquite Folco Portinari was a rich banker, born in Portico di Romagna.
He moved to Florence and lived in a house near Dante where he had six daughters. Folco also gave generously to found the hospital of Santa Maria Nuova. Beatrice and Dante[ edit ] "Dante and Beatrice" redirects here. For the painting by Henry Holiday, see Dante and Beatrice painting. According to Dante, he first met Beatrice when his father took him to the Portinari house for a May Day party. They were both nine years old at the time, though Beatrice was a few months younger than Dante.
Dante was instantly taken with her and remained so throughout his life even though she married another man, banker Simone dei Bardi , in Dante married Gemma Donati in and had children. Yet in spite of this, he maintained a deep love and respect for Beatrice, even after her death in After Beatrice's death, Dante withdrew into intense study and began composing poems dedicated to her memory.
The collection of these poems , along with others he had previously written in his journal in awe of Beatrice, became La Vita Nuova. Dante and Beatrice , by Henry Holiday. Dante looks longingly at Beatrice in center passing by with friend Lady Vanna red along the Arno River According to the autobiographic La Vita Nuova, Beatrice and Dante met only twice during their lives.
Even less credible is the numerology behind these encounters, marking out Dante's life in periods of nine years. This amount of time falls in line with Dante's repeated use of the number three or multiples of, derived from the Holy Trinity. It is more likely that the encounters with Beatrice that Dante writes of are the two that fulfill his poetic vision, and Beatrice, like Petrarch's Laura , seem to blur the line between an actual love interest and a means employed by the poet in his creations.
Following their first meeting, Dante was so enthralled by Beatrice that he later wrote in La Vita Nuova: Ecce Deus fortior me, qui veniens dominabitur michi "Behold, a deity stronger than I; who coming, shall rule over me". Indeed, Dante frequented parts of Florence , his home city, where he thought he might catch even a glimpse of her. As he did so, he made great efforts to ensure his thoughts of Beatrice remained private, even writing poetry for another lady, so as to use her as a "screen for the truth".
Dante's courtly love for Beatrice continued for nine years, before the pair finally met again. This meeting occurred in a street of Florence, which she walked along dressed in white and accompanied by two older women.
She turned and greeted him, her salutation filling him with such joy that he retreated to his room to think about her. In doing so, he fell asleep, and had a dream which would become the subject of the first sonnet in La Vita Nuova. Beatrice used to pray at Santa Margherita de' Cerchi where she is interred In this dream, a mighty figure appeared before him, and spoke to him.
Although he could not make out all the figure said, he managed to hear "Ego dominus tuus", which means "I am your Lord". In the figure's arms was Beatrice, sleeping and covered by a crimson cloth. The figure woke Beatrice, and made her eat Dante's burning heart. An English translation of this event, as described in La Vita Nuova, appears below: And betaking me to the loneliness of mine own room, I fell to thinking of this most courteous lady, thinking of whom I was overtaken by a pleasant slumber, wherein a marvelous vision was presented to me: for there appeared to be in my room a mist of the colour of fire, within the which I discerned the figure of a Lord of terrible aspect to such as should gaze upon him, but who seemed there-withal to rejoice inwardly that it was a marvel to see.
Speaking he said many things, among the which I could understand but few; and of these, this: "I am thy Lord".
In his arms it seemed to me that a person was sleeping, covered only with a crimson cloth; upon whom looking very attentively, I knew that it was the Lady of the Salutation, who had deigned the day before to salute me.
He became tired of the various stereotypes and prejudices that mortals held of the devil, such as the idea that he downloadd and traded for souls, which was largely untrue, and that he forced mortals to commit evil acts.
He had become tired of his reign over Hell and felt it an unfair punishment that he should have to rule there forever simply because he once rebelled. In the Sandman story " Season of Mists ", Lucifer expels all the demons and damned souls from Hell before closing Hell's gates and handing over the key to Hell to Dream of the Endless , the title character of the Sandman series.
Eventually, control of Hell was handed over to two angels, Duma the angel of silence and Remiel "set over those who rise" , while Lucifer simply retired to Earth, initially to Perth, Western Australia  and later to Los Angeles, California. Lucifer never created the physical features of Hell—Hell created itself around him.
Solo series[ edit ] Lucifer was the main character in an eponymous series that ran for 75 issues and the Lucifer: Nirvana one-shot , from June to August , the entire run of which was written by Mike Carey this series was preceded by Carey's work in , The Sandman Presents: Lucifer miniseries. To Carey, the essence of the character was: We play safe. Most of us do, most of the time He does whatever the hell he likes, picks his fights where he finds them and generally wins Lucifer is portrayed as a sophisticated and charming man, in accordance with the stereotypical gentleman-devil.
Carey's Lucifer is a figure representing will and individual willpower, who challenges the "tyranny of predestination ". While in Heaven's eyes this is blasphemy , Lucifer points out that the rebellion and indeed all sin and damnation as consequence were pre-planned by his Creator, God. Lucifer rejects God's rule and moral philosophy as tyrannical and unjust. The violent, aggressive, totalitarian, vengeful and dictatorial aspects of Heaven's rule are represented mostly by the Angel, Amenadiel, who has a particular hatred of Lucifer and leads attacks of various kinds against him.
The attacks include verbal criticism, marshaling the host of Heaven , as well as challenging him to individual combat—almost all of it without the slightest care for the countless innocent, unwilling and unwitting victims that he is more than willing to sacrifice for his own pride. For his part, Lucifer disdains Amenadiel, treating the latter's emotional outbursts with contempt, and repeatedly defeats Amenadiel's assaults with well-orchestrated, hidden plans.
Ironically, however, it is often difficult to discern when Lucifer acts as a slave to predestination and when he effectively acts according to his own free will. Lucifer appears as a master of these arts. In an encounter during the first Sandman story arc around issue 5 a weakened Dream outsmarts Lucifer. Lucifer first swears revenge on Dream, but later comes to accept Dream's critique of his role and project as Lord of Hell.
This inspires Lucifer's abdication, a vital element of the Sandman saga, and the point of departure for the Lucifer series.
As David Easterman, a character who sees himself as a victim of Lucifer, puts it: When the Devil wants you to do something, he doesn't lie at all.
He tells you the exact, literal truth. And he lets you find your own way to Hell. While he avoids lying, his morality seldom extends to compassion and Lucifer regards the sacrifice of millions of souls as unimportant collateral damage ; there are few, if any, beings that he respects and even fewer for whom he cares.
As the series opened in , Lucifer's "restful" retirement was disturbed by a series of associates from his past. After various catalytic events, he endeavored to create a universe in competition with and presumably against the wishes of his father, Yahweh.
The series paralleled The Sandman in several ways, with epic fantasy stories being told in arcs separated by one-shot episodes depicting a smaller, more personal tale. The title's 50th issue was penciled by P. Craig Russell , a homage to The Sandman Structurally, the series mostly follows its own path. Numerous gods appear, with greater focus on Judeo-Christian religion as viewed by Milton in Paradise Lost , Japanese mythology and Norse mythology than in Sandman. As for the Endless themselves, Dream, Death , Delirium and Destiny appear, but their appearances are small and rare.
The letters are inconsistent, with the first half of the series carrying particularly established fonts of Gaudium, Michael, and God, only to drop almost all of them, save Lucifer's, towards the end with numerous changes in the letterers. The series ended in June with issue 75 and has thus far been collected in 11 books, with a stand-alone story Lucifer: Nirvana published as a smaller graphic novel.
The series' parent title, The Sandman, also ran for 75 issues. When Lucifer ventures outside Creation, he sees something resembling the comics pages themselves. In the end of the Lucifer story arc, God and the devil are no longer part of the universe, and a former human Elaine Belloc is instead presiding over it. New concepts for Heaven and Hell are created, inspired and influenced by other human or superhuman characters in the story.
The new situation is described on several occasions by the fallen cherubs Gaudium and Spera. In essence, it is "growing up", i. Lucifer himself, his whole identity having been forged by that same motive, scoffs at his Father's final offer: to merge their beings described by God as a potlatch so that they can finally understand one another's perspective. As this would be the final expression of God's will even when delivered from "outside the plan", as he puts it , Lucifer finds the ultimate expression of his own defiant will by refusing the bargain and travelling beyond his Father's influence into the undefined void.
In this new timeline, Lucifer is much more influenced by traditional Christian theology. He is depicted as a malevolent, sadistic, and cunning fallen angel who is the ruler of Hell and seeks to possess human souls. He is held with great respect and fear by the denizens of Hell, who serve and obey him like a king. Lucifer himself, however, is mostly bored with his existence when the group known as the Demon Knights are captured by him during the early Middle Ages, and passes the time by finding small amusements, such as watching the struggles and falls of Etrigan the Demon.
Lucifer made a more physical appearance in I Vampire 19 after being tipped by John Constantine in destroying Cain.
Lucifer immediately sentences Cain and drags him to Hell, though a being claiming to be him has appeared in the Modern Age of DC Comics to the superhero Deadman. Note: The versions of Lucifer, Michael, Gabriel, Cain and Abel in mainstream New 52 are not of the same continuity as the versions in the previous or later Lucifer comics and are currently noncanonical to the Vertigo Sandman-Lucifer-Hellblazer continuity, in which Lucifer is not ruling Hell and Cain has not been destroyed or banished to Hell.
Volume 2 — [ edit ] This volume continues from where Lucifer left off before New 52 the New 52 version not being canon to this continuity. As this series begins, God is dead and Gabriel has accused Lucifer of His murder. Lucifer had motive and opportunity, but claims he can prove his innocence. If Gabriel finds the killer and takes the culprit into custody, his sins will be forgotten, and he will be welcomed back into the Silver City. Note: This version is not considered canon to the Lucifer comics starting in late Those will continue from where the Mike Carey continuity ended.
He has been cited as one of the most powerful characters in the DC Multiverse.
Through this understanding, Lucifer can shape the matter and foundation of the creation into anything he can imagine, including matter , energy and more abstract concepts, such as time. He once shaped Big Bang energies released by death of his brother Michael into a new universe.
In some ways, this makes him the most disadvantaged, though not the weakest, of the higher angelic host. He needs existing matter and where that is unavailable, the Demiurgic power of the Archangel Michael or that of God Himself to provide the foundation for him to shape.